Thursday, October 3, 2013

Reading Like A Writer

Well, it's been far too long since I've done any blogging. However, I am happy to report that my time has been filled with a myriad of other equally wonderful and worthwhile things, one of which is reading. Confession: technically, I shouldn't have time to read “just for fun”. As a journalist major, I'm supposed to be reading the newspaper every day and at least one magazine a week, plus my textbooks and extra material (although I should probably be honest and admit that the whole newspaper-a-day thing isn't happening). I love studying, I truly do. But in the past month, I have realized two things: (1) Reading for enjoyment MUST happen at some point in the week. End of story. Or I will go insane. And (2), that if I want to make time for said reading, no matter how much those words “making time” strike fear into my procrastinator's heart, I have to fight for it. My admiration for those people who instinctively know how to maximize every single minute of their day is boundless.



Despite my uncanny ability to let time get away from me (I like to think of it as an anti-superpower), I have learned to snag reading opportunities here and there: on the bus, in the break room at work, late at night when I'm supposed to be sleeping, etc. But I no longer have the time to devour books in one sitting like I did in high school. Gone are the days of coming home every week with stacks of books and ability to finish all of them at my leisure. I think back rather wistfully to the weekend in eleventh grade in which I inhaled the entirety of Victor Hugo's The Hunchback of Notre Dame, and I wonder, “How on earth did I do that?”

At the same time, even though part of me misses those days, I'm beginning to believe that my slowed-down reading pace isn't necessarily a bad thing. Why? Well, partly because of this wonderful book I just finished called Reading Like A Writer by Francine Prose. (And by the way, isn't that name almost too perfect for an author? Kinda makes you suspicious... hmmm...) I read her book for the first time as a junior in high school and absolutely loved it. Last month I picked it up again and just finished it last week. My verdict: everyone – yes, I mean EVERYONE – who loves books and the written word should read this. As in, go. Now. To the library.

Until I read this book, I had never heard of close reading before. Maybe you haven't either. There are lots of ways to define the term, but I'm gonna be all scholarly and quote the Wikipedia article (ahem): “Close reading describes, in literary criticism, the careful, sustained interpretation of a brief passage of text. Such a reading places great emphasis on the particular over the general, paying close attention to individual words, syntax, and the order in which sentences and ideas unfold as they are read.” (Hey, not too shabby, Wikipedia.) In the first chapter, Prose gives an in-depth description of close reading, providing groundwork for the rest of her book in which she analyzes short stories, essays, and novels from a wide gamut of authors (Jane Austen, Scott F. Fitzgerald, Flannery O'Conner, Ernest Hemingway, Franz Kafka, Shakespeare, Leo Tolstoy, Henry James, and Emily Brontë, just to name a few). And not just works from long-dead writers of classics, either. She references a handful of present-day novelists as well.

In eleven chapters, Prose builds from words, sentences, and paragraphs, to narration, character, dialogue, detail, and gesture. But she doesn't teach you anything about writing, at least not directly. Instead, she quotes beautiful passages of literary works, ranging in length from a few sentences to several pages, adds her own musings, and allows you to ponder and make observations. If anything, the overarching theme of the book is that for every literary rule you encounter, you will find an exception. As I finished each chapter over the last five weeks, I found myself slowing to a crawl, not wanting the book to be over. I carried it to work with me, sneaked pages here and there on my lunch break, and gave myself a headache reading on the bus. When I found a quoted passage that I particularly liked, I'd made a note of the author and title and rush to the library after work.



As a junior paging through Reading Like A Writer, I remember feeling like I was learning to read for the first time. Prose made reading seem like an art, like wine-tasting instead of gobbling down a feast in one sitting. It became something more purposeful, deliberate, and overall more delightful. And both times after finishing her book, I found myself more inspired to write – and equipped with the courage to do so. Take that, Inner Editor.

Oh, and by the way... another perk to checking out Reading Like A Writer is for the wonderful book list included at the end, entitled “Books To Be Read Immediately.” She's got some seriously fantastic titles in there. And here's a quote for you, because I like quotes and this one seems to sum it all up:


“If we want to write, it makes sense to read – and to read like a writer. If we wanted to grow roses, we would want to visit rose gardens and try to see them the way that a rose gardener would.” – Francine Prose, Reading Like A Writer